Instead Michael sits across from you and says, “You did it.”
That is when you cry.
Not prettily. Not in a movie way. Not with one brave tear gliding down your cheek while the music swells. You fold forward over the table with your hands over your face and sob like your ribs have been holding too much weather for too many years. Michael moves his chair beside yours and lets you cry without telling you to breathe, without asking you to calm down, without making your pain into something he needs to manage.
After a while, the crying changes shape.
It stops being about last night alone. It becomes about the night on the porch in November when you lied to Emily and said Daddy locked the door by accident. The bruised wrist. The ruined holidays. The years spent calibrating your tone so carefully you barely knew what your natural voice sounded like anymore. The humiliating fact that part of you still loved him in fragments, or maybe just loved the life you kept hoping he would turn back into.
